The first Spider-Man story was originally intended as no more than a one-shot experiment, and almost didn't get into print at all. "Martin Goodman didn't want to publish it," recalls Stan Lee. Goodman was convinced that readers would find the subject of spiders distasteful. Fortunately for all concerned, a comic book called Amazing Fantasy was about to be canceled due to faltering sales. "Nobody cares what you put in a book that's going to die," Lee says, "so I threw in Spider-Man. I featured him on the cover and then forgot about him." For the occasion the comic book reverted to its original title of Amazing Fantasy, an appropriate amendment since Spider-Man was to be the most important adolescent super hero in comics.
Spiderman was the hero & teenage helper rolled into one. He was his own sidekick. Marvel's 1st editor, Joe Simon, theorized that kid companions like Captain America's Bucky were important because they gave the protagonist someone to talk to, Spiderman talked to himself. In fact he has delivered more siloquies than Hamlet. In his 1 appearance he mused out loud but subsequently Lee adopted the device of the thought balloon with its characteristic bubbles. I used those thought balloons to help the exposition. I could put interesting thoughts there that weren't necessarily about what ws happening in that particular panel something to hold the reader's interest.
Spider-Man, despite the fact that he was not originally intended to star ina series, became the epitome of the radical innovations that characterized The Marvel Age. Lee used him to challenge the very concept of the super hero. Spider-Man was neurotic, compulsive and profoundly skeptical about the whole idea of becoming a costumed savior. The Fantastic Four argued with each other, and The Hulk and Thor had problems with their alter egos, but Spider-Man had to struggle with himself. Spiderman Video In the original story (Aug. 1962), Peter is a bookish, bespectacled high school student, isolated and unpopular. An orphan, he lives with his elderly relatives, Aunt May & Uncle Ben.
While attending a science exhibit, Peter is bitten by a spider that has accidentally received a dose of radioactivity. As a result, Peter acquires the agility and proportionate strength of an arachnid. He sews his own super hero uniform and uses his scientific knowledge to build mechanical devices that eject sticky webbing, but he is less interested in fighting crime than in making a buck. Disguised as Spider-Man, he becomes a professional wrestler and then demonstrates his abilities on television. Hw blithely ignores the chance to stop a fleeing thief, but his indifference ironically catches up with him when the same criminal later robs and kills Uncle Ben. Eventually Spider-Man subdues the murderer, but for a tearful Peter Parker, there is no peace.
He wanders remorsefully off into the night to the accompan iment of Lee's now famous caption: "With great Power there must also come - great responsibility!" This story, with its challenge to comic book clich?s, created an unexpected sensation. "A few months later," Lee recalls, "we got the sales figures, and that Spider-Man issue of Amazing Fantasy was one of the best selling books we ever had. There were no flies on us, so we put him out in his own title." However, the usual months of creative and production work leading to publication kept #1 from appearing until March 1963. Until this time Jack Kirby had been drawing all of the company's new characters, but Spider-Man ended up in the hands of another artist.
Kirby drew several pages of a version of Spider-Man, but he never completed a story. Kirby's version was as bold and dynamic as the rest of his work, but Lee wanted something a bit more offbeat and edgy. Steve Ditko was the artist to provide it, an Lee asked him to illustrate the initial Spider-Man adventure. The now famous cover for the first story was drawn by Kirby and Ditko together. "Steve Ditko was a fine artist, " says Kirby, "and he did a fine job on Spider-Man". Born in 1927 in Johnstown, Pennsylvania, Ditko had already won a cult following with the dark moody tales he had illustrated for comic books like Amazing Adult Fantasy. An intensely private individual who shuns personal publicity and consistently refuses interviews.
Ditko has always preferred to let his work speak for itself. The analogy to Peter working behind the mask of Spiderman may not be entirely inappropriate. Ditko was the perfect choice to depict the new antihero, a skinny kid who just didn't know what to do with the extraordinary gift that had unexpectedly come his way. "Steve was every bit as inventive as Jack Kirby was," says Lee. "He always added so much." As time went on, Ditko also began to contribute significantly to the plotting of the stories. From the very start, Ditko's sensitive, humanistic portrayal of the beleaguered Peter Parker was enough to alter the look of the medium forever: he brought a touch of realism into a world of fantasy.
Spiderman was the hero & teenage helper rolled into one. He was his own sidekick. Marvel's 1st editor, Joe Simon, theorized that kid companions like Captain America's Bucky were important because they gave the protagonist someone to talk to, Spiderman talked to himself. In fact he has delivered more siloquies than Hamlet. In his 1 appearance he mused out loud but subsequently Lee adopted the device of the thought balloon with its characteristic bubbles. I used those thought balloons to help the exposition. I could put interesting thoughts there that weren't necessarily about what ws happening in that particular panel something to hold the reader's interest.
Spider-Man, despite the fact that he was not originally intended to star ina series, became the epitome of the radical innovations that characterized The Marvel Age. Lee used him to challenge the very concept of the super hero. Spider-Man was neurotic, compulsive and profoundly skeptical about the whole idea of becoming a costumed savior. The Fantastic Four argued with each other, and The Hulk and Thor had problems with their alter egos, but Spider-Man had to struggle with himself. Spiderman Video In the original story (Aug. 1962), Peter is a bookish, bespectacled high school student, isolated and unpopular. An orphan, he lives with his elderly relatives, Aunt May & Uncle Ben.
While attending a science exhibit, Peter is bitten by a spider that has accidentally received a dose of radioactivity. As a result, Peter acquires the agility and proportionate strength of an arachnid. He sews his own super hero uniform and uses his scientific knowledge to build mechanical devices that eject sticky webbing, but he is less interested in fighting crime than in making a buck. Disguised as Spider-Man, he becomes a professional wrestler and then demonstrates his abilities on television. Hw blithely ignores the chance to stop a fleeing thief, but his indifference ironically catches up with him when the same criminal later robs and kills Uncle Ben. Eventually Spider-Man subdues the murderer, but for a tearful Peter Parker, there is no peace.
He wanders remorsefully off into the night to the accompan iment of Lee's now famous caption: "With great Power there must also come - great responsibility!" This story, with its challenge to comic book clich?s, created an unexpected sensation. "A few months later," Lee recalls, "we got the sales figures, and that Spider-Man issue of Amazing Fantasy was one of the best selling books we ever had. There were no flies on us, so we put him out in his own title." However, the usual months of creative and production work leading to publication kept #1 from appearing until March 1963. Until this time Jack Kirby had been drawing all of the company's new characters, but Spider-Man ended up in the hands of another artist.
Kirby drew several pages of a version of Spider-Man, but he never completed a story. Kirby's version was as bold and dynamic as the rest of his work, but Lee wanted something a bit more offbeat and edgy. Steve Ditko was the artist to provide it, an Lee asked him to illustrate the initial Spider-Man adventure. The now famous cover for the first story was drawn by Kirby and Ditko together. "Steve Ditko was a fine artist, " says Kirby, "and he did a fine job on Spider-Man". Born in 1927 in Johnstown, Pennsylvania, Ditko had already won a cult following with the dark moody tales he had illustrated for comic books like Amazing Adult Fantasy. An intensely private individual who shuns personal publicity and consistently refuses interviews.
Ditko has always preferred to let his work speak for itself. The analogy to Peter working behind the mask of Spiderman may not be entirely inappropriate. Ditko was the perfect choice to depict the new antihero, a skinny kid who just didn't know what to do with the extraordinary gift that had unexpectedly come his way. "Steve was every bit as inventive as Jack Kirby was," says Lee. "He always added so much." As time went on, Ditko also began to contribute significantly to the plotting of the stories. From the very start, Ditko's sensitive, humanistic portrayal of the beleaguered Peter Parker was enough to alter the look of the medium forever: he brought a touch of realism into a world of fantasy.
No comments:
Post a Comment